Friday, September 8, 2017

Logan Lucky

Within Logan Lucky the film itself gives you the most succinct description of what it is: Ocean's Seven-Eleven. Steven Soderbergh returns to the comedy heist genre replacing Las Vegas with West Virginia, the equivalent of a casino on boxing night being a big Nascar race at a track, and instead of a swanky pair of slick criminals we have a couple of lovable, white-trash brothers who you should not underestimate. While not as innovative and novel in style as his original foray into this type of movie, I'm glad Soderberg's back with Logan Lucky.

One of the things I think Lucky might have over Ocean's 11 are the main performances, though not by much. Clooney and Pitt are undeniable talents, and the ensemble of the Ocean's films made those instant classics. Here the key players really stand out, as well. I think a big part of it is the innocence Adam Driver and Channing Tatum bring respectively to the roles of Clyde and Jimmy Logan, a pair of brothers from a family everyone says is cursed. After losing his job Jimmy is fed up and frustrated as he tries to make ends meet enough to be able to spend time with his little daughter every other weekend, fearful that the influence of his ex-wife (Katie Holmes) and her wealthy husband are having on her. Apparently not surprised by his brother's ideas, Clyde settles in to hear Jimmy out on his hair-brained idea. They both use the southern accent to their benefit, drawing you into their welcoming, unassuming demeanor. They're teachable even as they have some secrets and tricks up their sleeve that, much like the Ocean's trilogy before, you don't get the full scope of until the end. While any heist movie certainly has to have some amazing set-pieces and a keen ability for misdirection, it is a good sign that you can enjoy the movie even if you don't fully understand what happens at the climax.



While certainly not an impeccable motion picture, Logan Lucky  packs a punch with its comedy. Tatum plays the straight man and while his little girl is sweet, Driver as Clyde is a relief with his dry sensitivity, and the prosthetic arm is used to full effect. At the end you may not wholly understand every aspect of the job but the laughs are what keep you interested in what is a surprisingly breezy 2 hours. A lot of fun characters fill out the gang but especially delightful is Daniel Craig as Joe Bang, along with his two less-than-bright younger siblings. The brothers require a moral justification before they can commit a crime, though any novice in the art of spin should be able to concoct a noble cause simple enough to get these guys on board. Riley Keough rounds out the main players as Tatum's & Driver's kid sister, on board to break the family's run of luck. On the villain side, Dwight Yoakam as a corruptible prison warden and Hillary Swank as a silently terrifying FBI agent both dig into their roles, obviously enjoying themselves.



Soderbergh has famously been in "retirement" from filmmaking. Really it was a hiatus and he has been very busy with other things like TV (The Knick) and any number of other projects which you can read about on his website. The funny thing is that it's only been four years since his last directorial feature, 2013's HBO film Behind The Candelabra. That's the normal lag-time between projects for many directors but Soderbergh has always been efficient and prolific. When he won his Oscar for Best Directing for Traffic he had double the chances of winning as he was also nominated for Erin Brokovich the same year. He's said that he gets his work ethic from his father and his artistic interests from his mother. That's the perfect combination for a director, especially if you're a Hollywood studio exec. Except the difficulties and dwindling resources of that business are what lead to his stepping away. Hopefully at this point he's come to peace with that and found a way to do it that means we'll get more from him sooner rather than later.

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